For C instruments, flutes, flute-violin, two violins written in the key of E. A simple, yet beautiful arrangement of Silent Night for two C instruments. Appropriate for church. If you need it in another key, please let us know and we will make that available. Can also be performed with two clarinets.
Silent night arrangementsMore Info
Name Description Music Type Voice Silent Night – For C instruments (In the key of D) (Sheet Music) For C instruments, flutes, flute-violin, two violins written in the key of D. A simple, yet beautiful arrangement of Silent Night for two C instruments. Appropriate for church. If you need it in another key, please let us know and we will make that available. Can also be performed with two clarinets. Sheet Music Silent Night – For C instruments (In the key of G) (Sheet Music) For C instruments, flutes, flute-violin, two violins written in the key of G. A simple, yet beautiful arrangement of Silent Night for two C instruments. Appropriate for church. If you need it in another key, please let us know and we will make that available. Can also be performed with two clarinets. Sheet Music
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All is calm, all is bright
Round yon virgin, mother and child
Holy infant, tender and mild
Sleep in heavenly peace,
Sleep in heavenly peace. Silent night, Holy night
Son of God, love’s pure light
Radiant beams from thy holy face
With the dawn of redeeming grace,
Jesus, Lord at thy birth
Jesus, Lord at thy birth. Silent night, Holy night
Shepherds quake, at the sight
Glories stream from heaven above
Heavenly, hosts sing Hallelujah.
Christ the Savior is born,
Christ the Savior is born.
Died: December 4, 1848, Wagrain, Austria
Died: June 7, 1863, Hallein (near Salzburg), Austria.
Buried: Hallein, Austria.
Franz X. Gruber (1787-1863)
Son of a linen weaver, Gruber learned the violin against his father’s wishes, and studied organ under Georg Hartdobler. He taught school at Arnsdorf, Austria (1807-1829), and in 1816 began playing the organ at St. Nikolaus Church in Oberndorf. Later, he served as headmaster in Berndorf (1828-1832), and played the organ and directed the choir at Hallein (1833-1863). He is said to have composed over 90 musical pieces.
Pursuing her degree in music she also found great interest in the theory of music. Using these skill and working together, Donna and Daris were able to go through the songs written for the musical and refine them making the finished product much better.
In the musical Lilacs in the Valley her arranging style can be felt in songs like It Ain’t Much But It’s Home and Walkin’ Along.